Lizzie Roberts lives in Berlin, where she raises children and collects lint. Her writing has been published/is forthcoming in Columbia Journal, Fourth Genre, The Forge, Hippocampus, Litro, Lunch Ticket and Sand, among other places. She was a finalist for The Remember in November Contest for Creative Nonfiction/2019 and The Diana Woods Memorial Award/2021, and won Columbia Journal’s Spring Nonfiction Contest/2022.
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Read:
Learning to Play
Stitches
Salt
Buyer’s Remorse
Sons and Daughters
Busybody Nature Lady
The Sunshine State
Worms
Snakes and Ladders
Junk for Suckers
Interview
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Lizzie’s illustrations have appeared in numerous international publications, including Annabelle, BusinessWeek, Dummy, Falstaff, Frankfurter Allgemeine Zeitung, Neue Zürcher Zeitung and Novum, among others. Recently she designed and illustrated Favoriten Presse’s new edition of Mark Twain’s The Awful German Language.
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mail(at)lizzieroberts(dot)com
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